The Murder Artist by John Case

The Murder Artist by John Case

Author:John Case
Language: eng
Format: epub, mobi
ISBN: 9781407009056
Publisher: Random House


Twenty-five

I PUT IN a call to Shoffler to tell him that I think his hunch may have been right on the money, that the link between the Gablers and my sons is one that we never would have come up with in a thousand years: magic. I want to talk it through with the detective, get his advice. But it turns out he’s in France for some kind of security conference. I leave a message.

I can intuit some of his advice, anyway. While I’m in Vegas, I should try to determine if The Piper worked here as a magician and follow out whatever other local leads I have.

Turns out, if it’s about magic, Vegas is the place to be. After three days, I’ve seen more doves and lighted candles materialize and disappear than I can count. It’s beginning to seem routine to me that a man in a tuxedo snaps his fingers and a dove or a duck – or a goose! – flutters into existence out of thin air. Or that he might turn a top hat upside down, thump it to show it’s empty, even call a volunteer to thrust a hand into its vacant interior. And then, with a wave of his wand, voilà! A rabbit. A real rabbit, which hops around on the stage, bewildered.

I’ve seen scarves and ropes and pieces of paper torn into shreds and restored to amazing intactness with the help of a few magic words. I’ve witnessed feats of mind reading, miraculous escapes, levitations, and dozens of transformations (a shred of paper into a bird, a ball into a rabbit, a doll into a woman, a piece of rope into a snake).

Any number of times, I’ve seen leggy beauties disappear, after which they step out, preening and smiling, from impossible and unexpected locations – the rear of the theater, for instance. At the San Remo, Showgirls of Magic (topless in the evening) are just what they sound like: leggy beauties doing tricks with cards and coins and, yes, bunnies.

After the shows, there are opportunities to buy merchandise; shops sell mementos of the performing magician, along with standard tricks and magic kits, reproduction posters, biographies of Houdini, books about magic.

It’s in these shops that I show my sketches of The Piper to magician clerks and cashiers, who perform card tricks and sleight of hand while they make change. I tell them the man in the sketch is a magician. Do they recognize him? A couple “think so,” but no one can put a name or place to the memory.

I’m getting myself a beer before the Lance Burton show when a bear of a man approaches me. “Boyd Veranek,” he says, “with a V. Pleased to meet you. Watch this.”

I get it – the guy’s going to do a magic trick. I don’t want to be his audience, but it’s crowded and without being rude, I can’t get away from him. He cups his huge pawlike hands together and pulls them slowly apart. In between his palms, a paper rose hovers and trembles in midair.



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